Page 31 - Real Rochdale - Winter 2018
P. 31

AVENUE Q  YOUR ONE STOP PARTY SHOP


















         SPECIALISED BALLOON DÉCOR
             AND PERSONALISED GIFTS
         Personalised



          ●Cards
          ●Flowers
          ●Balloons
          ●Teddies
 Photo: Martin Ogden  ●Gift Bags
          ●Mugs
 Stylistically, Avenue Q looks as if it was just around   Chris Addington invested Nicky (who slides down   & much more
 the corner from Sesame Street; colourful puppets   from Avenue Q to Skid Row) with his own   While you wait
 singing upbeat songs all about tackling the great   trademark rumbustiousness.
 big world, but Lopez & Marx’s 2003 musical
 acknowledges that life is more of a jungle out there   He is ably abetted by Jess Dawber, who showed
 once you’re an adult. The inhabitants of Avenue Q   great versatility in also playing vinegary old Mrs T
 tell it like it is with confessional zest and humour.   and one of the irritating Bad Idea Bears.
 The lyrics are a hoot, satirising 21st century hang-
 ups and attitudes about racism, the internet,   Eleanor Kelly vamps outrageously as Lucy The Slut.
 homophobia and relationships, all contained within    Screamingly uptight was Steven Cheeseman
 razzamataz songs with the odd reflective number.  acting Rod, the closet gay guy - a wonderfully
 jumpy exercise in paranoia.
 This WAMDS production is slick and smart, the
 players showing great dexterity manipulating the   Martin White has been a WAMDS luminary for
 puppets, their characters expressed through full-  years and always gives great value, here in a trio of
 blooded human performances. All work hard to   nicely differentiated roles.
 make the sassy dialogue and catchy songs zing.   Liam Dodd and Ashleigh Ho, as squabbling
 The simple, all-purpose set, a frontage of   newly-weds Brian and Christmas Eve(!), raised the
 multi-coloured terraced houses, operates at   comic stakes every time they emerged, great fun as
 different levels, with upper windows thrown open   an irrepressibly embarrassing failed stand-up and
 for contributions from above  his sarcy, language-mangling Japanese partner.


 There was no weak link to speak of in a talented,   The folksy, deep verbal stylings of Leroy Liburd,
 mostly young cast. Jack Martin brilliantly played   playing caretaker Gary were also a joy.
 the energetic focus of the piece, Princeton, with a
 range of emotions.  Phil Harrison enjoyed himself hugely as Trekkie
 Monster, memorably extolling the splendours of
 As the sensible, central female character Kate   the internet.
 (even though a monster!), Megan Wight brought
 great subtlety of expression to the cartoonish   Forget puppet prejudice, surrender immediately to
 proceedings and shone particularly in the quieter   the racy, rackety fun happening down Avenue Q.
 numbers - a promising performer, making the
 step-up to stardom here.
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